Artemis Akchoti Shahbazi
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Life (centric)

4/7/2021

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In a conversation with human-rights activist, filmmaker and author Amir Soltani, Amir said “there is no doubt that as a species we have been death-centric and not life-centric”*.
Human rights activist, filmmaker, author Amir Soltani in conversation with the Impermanence Platform, July 2020.

This morning, during a guided meditation practice with Jim Rosen**, one of the participants remembered her three year old daughter asking her to draw her thoughts. The little girl would get upset when her parents would draw her vision in a static way. The girl would then improve her parents’ depiction by adding movement to the drawing.

The little girl reminded me of my eldest son Kassra, whom also, at age three, was very interested in drawing. He loved ​Japanese artist Katsushika Hokusai and often asked us: "How can he draw so well?"

Picture
Mount Mishima in the province Kai, Katsushika Hokusai, 1829 - 1833, Rijks Museum, Netherlands
Katshushika Hokusai was attentive to life:  "From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie. ”."***

The Syrian poet Adonis seems to long for the same 'divine understanding': ‘Sufism and Surrealism allow us to see (...) the absence and the presence: the absence of men and the presence of mechanics, the absence of the heart and the presence of reason, the absence of nature and the presence of industry."****

​It was because of his fear of death that Iranian polymath Omar Khayyam wrote in his Rubbaiyat "This moment is your life.'"

​
*Human rights activist, filmmaker and author Amir Soltani in conversation with The Impermanence Platform, July 2020: https://www.youtube.com/watch?v=c8ynaiC-ZPc
**https://jimrosen.com/meditate
*** https://www.katsushikahokusai.org/biography.html
****
Adonis, 'Sufism and Surrealism", Introduction, page 26.
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    Artemis Akchoti Shahbazi

    Artist, lawyer, researcher

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  • Home
  • Mythology
    • Wooden Books of Persian Kings >
      • Artist Statement
      • The Shahnameh >
        • Khorshid Khanoom
        • The First Kings
        • Sharnavaz
        • Kaveh
        • Zal
    • Other Kings... Other Stories.... >
      • Artist Statement
      • Table of Content
      • Paarde Khani
  • Culture and History
    • Artist Statement
    • Safavid
    • Zand
    • Afshar Dynasty
    • A (very) Brief History of Iran
    • The Qajar Dynasty >
      • The Six Qajar Kings
      • The Qajar Dynasty
      • Prince Alexis Soltikoff
      • Three Qajar Kings
      • The Men of Nasser El Din Shah
      • Agha Mohammad Khan & Mahde Olia
      • Qajar Lady
      • Installations >
        • Qajars in Perspective >
          • Artist Statement
    • The Pahlavi Dynasty >
      • The Last Kings
      • The Story of The Last Kings
    • Jebheh Ye Melli to Revolution
    • Sanctionwear >
      • Artist Statement
    • The Matrix of Human Identity
    • Narratives
  • Blog
  • Projects
    • Social Presencing Theater >
      • Practice Groups & Facilitations
      • The Matrix of Human Identity
    • The Impermanence Platform
    • Ways of Seeing Iran and The Arab World
  • About
  • Contact